Note: Not extant. Not playable. (in this location)
2006-01-16 - Identified through information adapted from <i>E. M. Skinner/Aeolian-Skinner Opus List</i>, by Sand Lawn and Allen Kinzey (Organ Historical Society, 1997), and included here through the kind permission of Sand Lawn: <br><i> Replaced by E. M. Skinner Opus 408 (1923). Case retained throughout subsequent alterations.</i> -Database Manager
2012-04-06 - Updated through online information from T. Daniel Hancock. -- The "American Musical Directory," published by Thomas Hutchinson, New York, 1861, reports "Size of organ--3 banks keys, 38 stops, 2 octaves pedals. Built by H. Erben, in 1846, from a specification prepared by Dr. E. Hodges." <br><br> "The organ was built in 1846, by Henry Erben of this city, at a cost of about $10,000, from a specification prepared by Dr. Hodges, organist of the church at that time. The organ has 43 stops. The diapasons are on a very large scale, giving a 16 ft. tone on each manual. The pedals contain two stops--16 and 32 feet. There are 8 reeds stops, including a 16 feet trumpet, and 16 feet serpent. The swell organ is one of extraordinary power, adn is enclosed in a triple swell box. The choir organ is separate from the main instrument, and is seen in front of the organ gallery--the action works passing under the organist's feet. The organ presents a majestic front, its highest point being 60 feet above the pavement of the church." -Database Manager
Typed stoplist (Source: Ogasapian, John: "Organ Building in New York City, 1700-1900," 1977) Source: Source not recorded Date not recorded
Trinity Episcopal Church New York, New York Henry Erben, 1846 OHS ID 22808 _________________________________________________________________________ GREAT (CC-e''', 65 notes SWELL (c-f''', 42 notes) Open Diapason, larger Stopt Double Diapason Open Diapason, smaller Open Diapason Stopt Diapason Stopt Diapason Flute Dulciana Principal, larger Principal Principal, smaller Cornet Twelfth Hautboy Fifteenth Trumpet Sesquialtera III Clarion Furniture III Trumpet SWELL BASS (CC-c, 25 notes) Clarion Dulciana or Soft Open Diapason, wood Serpent (or Great Bassoon) PEDAL (CC-c, 25 notes) Open Double Diapason, CHOIR (CC-e''', 53 notes*) playable at 32' & 16' Dulciana Stopt Diapason COUPLERS Principal Swell Bass to Pedals Flute Great to Pedal sub Fifteenth Great to Pedal Clarionet (or soft Trumpet) treble Choir to Pedal Bassoon bass Swell to Great Swell to Great octave Note: The pitch indications are not Choir to Great given, as was typical of the era. Unison Swell to Choir pitch stops (i.e., 8') are Open Diapason, Swell to Choir octave Stopt Diapason, Dulciana, etc. Manual 16' stops are designated "Double". Principal and Flute are 4'. However, one curious feature of this organ is the special extended manual compass in the bass, which in effect gave every manual 8' stop a 16' bass extension, every manual 4' an 8' bass extension, and so forth. This lower octave of the Great could be activated to the pedal by a coupler to augment the Pedal. Also, as Ogasapian notes, the Swell Bass, given then-current practice of using the Swell for treble melodies, could in practice be permanently coupled to the Pedal *Lowest octave of Choir with no pipes, permanently coupled to Swell. _________________________________________________________________________ [Received online from T. Daniel Hancock, 2012-07-30]
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