Calvary Episcopal Church, Clifton
3766 Clifton Avenue
Cincinnati, OH
Images
2007-07-19 - Right stop jamb (Photograph by Jeff Scofield/Database Manager)
2007-07-19 - Chancel (Photograph by Jeff Scofield/Database Manager)
2007-07-19 - Left stop jamb (Photograph by Jeff Scofield/Database Manager)
2007-07-19 - Console (Photograph by Jeff Scofield/Database Manager)
2007-07-19 - Chancel and organ façade pipes (Photograph by Jeff Scofield/Database Manager)
2007-07-19 - Window (Photograph by Jeff Scofield/Database Manager)
2024-12-11 - Great pipework (Daniel Wicks/Daniel Wicks)
2024-12-11 - Pedal Mixture (Daniel Wicks/Daniel Wicks)
2024-12-11 - Great pipework (Daniel Wicks/Daniel Wicks)
2024-12-11 - Trompette de Fête trebles (Daniel Wicks/Daniel Wicks)
2024-12-11 - Trompette de Fête and Pedal 8' Octave (Daniel Wicks/Daniel Wicks)
2024-12-11 - Choir, front chest (Daniel Wicks/Daniel Wicks)
2024-11-14 - Choir, rear chest (Daniel Wicks/Daniel Wicks)
2024-11-14 - Choir, upperwork chest (Daniel Wicks/Daniel Wicks)
2024-11-14 - Swell pipework (Daniel Wicks/Daniel Wicks)
2024-11-14 - Swell pipework (Daniel Wicks/Daniel Wicks)
2024-11-14 - Swell, to rear (Daniel Wicks/Daniel Wicks)
2024-11-14 - Non-Skinner English Horn basses (Daniel Wicks/Daniel Wicks)
Consoles
Main
- Organ type: Traditional With Roll Top
- Console position: Console in Fixed Position, Left
- 3 manuals
- 68 stops
- 4 divisions
- Key action Type: Electrical
- Stop action Type: Electrical
- Stop layout Type: Drawknobs in Vertical Rows on Angled Jambs
- Manual compass: 61 notes
- Pedal compass: 32 notes
- Pedal Type: Concave Radiating (Meeting AGO Standards)
- Expression Type: Balanced Expression Shoes/Pedals (Meeting AGO Standards)
- Has crescendo
- Combination action: Computerized/Digital
- SSLS
- Has combination thumb pistons
- Has combination toe pistons
- Has coupler thumb pistons
- Has coupler toe pistons
- Has tutti toe pistons
Notes
2006-04-21 - Identified through information adapted from *E. M. Skinner/Aeolian-Skinner Opus List*, by Sand Lawn and Allen Kinzey (Organ Historical Society, 1997), and included here through the kind permission of Sand Lawn: Retained some parts of E. M. Skinner Opus 671 (1927). -Database Manager
2007-07-23 - Updated through on-line information from Jeff Scofield. -- This was a rebuild of M. W. Lively's 1977 rebuild of Skinner Op. 671 (1928). No stops were added or deleted by Quimby. The console was rebuilt by them using Harris drawknobs and couplers. -Database Manager
2009-06-25 - Updated through on-line information from Mark McGuire. -- The 1994 renovation was contracted to John H. Hendriksen, who did all of the voicing/re-voicing of the project. Mr. Hendriksen had the church engage Quimby Pipe Organs to do the mechanical renovation. In subsequent years, others have done minor tonal changes. -Database Manager
Stoplist
Source: Taken from 2007 console photos
Great Bourdon 16, Octave 4, Scharff 2/3' III, Super Octave 2, Mixture 1 1/3' IV, Hautbois 16, Trompette de Fête 8 (Hooded, non-coupling), Trumpet 8, Tremolo, Principal 8, Bourdon 8
Swell Lieblich Gedackt 16 (Skinner basses), Rohrflöte 8, Viola 8 (Skinner basses), Viola Celeste (GG) 8, Principal 4, Blockflöte 2, Flûte Triangulaire 4 (Skinner, triangular wood), Sesquialtera 2 2/3 (tc) II, Plein Jeu 2 IV, Hautbois 16 (bass half-length), Trompette 8, Hautbois 8, Hautbois Clarion 4, Tremolo
Pedal Contre Violone 32, Untersatz 32, Contre Basse 16 (1-12 Skinner Open Wood, remainder former Skinner Great 8' Diapason ), Principal 16, Bourdon 16 (Skinner), Lieblich Gedackt 16, Octave 8 (Skinner Great 8' Diapason), Gedackt 8, Bourdon 8 (Skinner), Super Octave 4, Nachthorn 4, Nachthorn 2, Mixture 2 IV, Contre Bombarde 32, Bombarde 16, Contra Posaune 32 (1-12 half-length), Hautbois 16, Trompette 8, Hautbois 8, Clairon 4, Hautbois 4, Schalmei 4
Choir Geigen Principal 8 (Skinner Violin Diapason basses), Gedackt 8 (Wood), Spitzflöte 8 (1-12 Skinner Erzähler, revoiced), Spitzflöte Celeste TC 8 (Skinner Erzähler, revoiced), Prestant 4 (Skinner Violin Diapason, 1-8 new), Nazard 2 2/3 (Some pipes from Skinner Dulciana and Unda Maris, cut down and revoiced. Winded from Swell, unaffected by Choir tremulant. ), Koppelflöte 4, Principal 2, Waldflöte 2, Terz 1 3/5 (Some pipes from Skinner Dulciana and Unda Maris, cut down and revoiced. Winded from Swell, unaffected by Choir tremulant.), Larigot 1 1/3 (Winded from Swell, unaffected by Choir tremulant.), Sifflöte 1 (Winded from Swell, unaffected by Choir tremulant), English Horn 16 (1-12 half-length, non-Skinner pipes, remainder Skinner), Cymbale 1 III, Trompette 8, Krummhorn 8, Clarion 4, Tremolo, Trompette de Fête 8 (non-coupling)
Great to Great 16 (Great 16), Great to Great (Great Unison Off), Swell to Swell (Swell Unison Off), Great to Great 4 (Great 4), Swell to Swell 16 (Swell 16), Swell to Swell 4 (Swell 4), Choir to Choir (Choir Unison Off), Choir to Choir 16 (Choir 16), Choir to Choir 4 (Choir 4), Great to Pedal 4, Great to Pedal 8, Swell to Pedal 8, Swell to Pedal 4, Choir to Pedal 8, Choir to Pedal 4, Swell to Great 16, Swell to Great 8, Swell to Great 4, Choir to Great 8, Choir to Great 16, Swell to Choir 16, Swell to Choir 8, Choir to Great 4, Swell to Choir 4, Choir to Swell 16, Choir to Swell 8, Choir to Swell 4, Great to Choir 8
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