Better Pipe Organ Database


Roche Organ Co. Opus 20 (1977)

First Congregational Church
34 Center Street
Fairhaven, MA

OHS convention: 2005


Images


2004-05-10 - Great stop jamb (Photograph from an archival source: 2005 OHS Handbook, William T. Van Pelt, submitted by Paul R. Marchesano/Paul R. Marchesano)

2004-05-10 - Builder nameplate (Photograph from an archival source: 2005 OHS Handbook, William T. Van Pelt, submitted by Paul R. Marchesano/Paul R. Marchesano)

2004-05-10 - Organ in rear gallery and nave (Photograph from an archival source: 2005 OHS Handbook, William T. Van Pelt, submitted by Paul R. Marchesano/Paul R. Marchesano)

2004-05-10 - Case after 1977 installation (Photograph from an archival source: 2005 OHS Handbook, William T. Van Pelt, submitted by Paul R. Marchesano/Paul R. Marchesano)

Consoles

Main


Notes

2004-10-30 - Status Note: There 1979 -Database Manager

2004-10-30 - Used the church's existing 1845 E. & G. G. Hook case (Op. 44, 1841, 2-16 -on Hook list as 2nd Congregational) and some old pipes. The Hook had been enlarged by Hook for a new building as Op. 63 of 1845. Replaced by a 3m Kimball, Smallman & Frazee in 1911, which gave out c. 1973. The Roche organ used chests and pipes of the remains of a 2m electrified tracker from the basement of Immaculate Conception R. C. in Lowell, MA. -Database Manager


Stoplist

Source: 2005 OHS Handbook

Great (unenclosed, Man. II, CC-a3, 3" WP) Bourdon [GG] 16 (51 Stopped wood; pipes marked "Sw Bdn''), Open Diapason 8 (61, 1-19 zinc, Estey; 1-6 Haskell basses; 20-58 common metal; 20-24 with zinc feet), St. Diap. bass 8 (12 Stopped wood; marked "Gt, Stopt."), St. Diap. treble [t.C] 8 (46, 13-49 stopped wood, marked "Gt Bdn;" 50-58 open wood, marked "Mel"), Dulciana [t.C] 8 (46, 13-17 zinc, 18-58 common metal; 13-24 zinc feet; slide-tuned), Octave 4 (58, 1-5 zinc, 7 -5 8 common metal; 6-12 zinc feet), Flute 4 (58, 1977; 19th century pipes; 1-12 stopped wood; 13-42 common metal chimney flute, soldered caps, ear-tuned, marked "St. Diap.;" 43-58 open common metal), Twelfth 2⅔ (58 Common metal; 1-5 zinc feet), Fifteenth 2 (58 Common metal), Seventeenth 1⅗ (58, 1977; 20th-century pipes; common metal; CC stamped "12/G#"), Mixture III (174, New, spotted metal; 1/4 mouths), Trumpet 8 (58, 1-33 zinc with common metal bells, lifting lids; 34-49 common metal, lifting lids; no scrolls; 50-58 spotted metal flues)

Swell (enclosed, Man. III, CC- a3, 3" WP) Open Diapason 8 (58, 1-12 stopped wood, 13-17 zinc, 18-58 common metal; 13-24 zinc feet), St. Diap. bass 8 (58 Stopped wood), St. Diap. treble [t.C] 8 (46 Stopped wood), Viola [t.C] 8 (46, 13-17 zinc, 18-58 common metal; 13-24 zinc feet; narrow slots; slide-tuned), Voix Celestes [t.C] 8 (46, Marked "Vox Cel;" 13-17 zinc, 18-58 common metal; 13-24 zinc feet; slide-tuned), Principal 4 (58, 1-5 zinc, 6-58 common metal; 6-12 zinc feet; 1-8 scroll-tuned), Spitzflute 4 (58, Marked "Sp Fl;" 3/4 taper, slightly arched mouths; 1-5 zinc, 7-58 common metal; 6-12 zinc feet), Piccolo 2 (58 Common metal), Sharp Mixture III (165, New, spotted metal; 1/4 mouths), Oboe 8 (58, 1-49 spotted metal bells on zinc stems, lifting lids; 50-58 slotted spotted metal flues), Tremulant

Pedal (unenclosed, Man. II, CC-fl, 3" WP) Open Diapason 16 (30 Open wood), Bourdon 16 (30 Stopped wood)

Couplers (hitch-down pedals) Swell to Great, Great to Pedal, Swell to Pedal


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