Note: Not extant. Not playable. (in this location)
2008-09-24 - Installed in enlarged Ridges case of 1869. -Database Manager
2022-08-14 - The case was modified, but it did not acquire the side "wings" until the Austin revision in 1915. The 1900-1901 Kimball work changed the organ to tubular-pneumatic action, and the console was detached, moving to a position near the pulpit, facing the conductor. This was done at the behest of organist John J. McClellan. This organ was also one of the first pipe organs to be recorded, save for a few cylinder recordings previously, and it was possibly the first recorded on *disc* in late August/early September 1910. Some of these can be heard at https://www.youtube.com/watch?v=KwEaK_h6n44 & https://www.youtube.com/watch?v=aUKc_GzGSnk [note: "McClennan" is a misspelling] Columbia Graphophone Company recording engineer Alexander Hausmann had worked with McClellan and choir director Evan Stephens to achieve the best results possible, as recording technology was entirely mechanical and did not record large ensembles or complex pipe organ tones well. Most "organ" accompaniments were simple harmoniums, and Edison's cylinder attempt ]"Abide with Me", played by Albert Benzler] had a small studio orchestra playing to flesh out the sound! Per McClellan paper by Annie Compton at https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=5613&context=etd and Tabernacle organ history at https://www.thetabernaclechoir.org/about/organs/organ-information/tabernacle.html with recording info at https://www.churchofjesuschrist.org/study/ensign/2010/09/the-first-mormon-tabernacle-choir-recordings-1910?lang=eng & https://issuu.com/utah10/docs/uhq_volume79_2011_number2/s/10374299 -J. A. Hefner
Typed stoplist from Paul Slaughter Source: Source not recorded Date not recorded
Salt Lake City, Utah Tabernacle Organs 1901 - W.W. Kimball Tubular Pneumatic Action 61 note manual compass 30 note pedal compass Great 16' Double Open Diapason 8' Bell Diapason 8' Open Diapason 8' Second Open Diapason 8' Gamba 8' Doppel Flute 8' Dulciana 8' Claribell Flute 4' Principal 4' Wald Flute 2 2/3' Twelfth 2' Fifteenth 8' Trumpet 8' Cornopean 8' Oboe d'Amour 8' Vox Humana Swell 16' Bourdon 8' Horn Diapason 8' Violin Diapason 8' Stopped Diapason 8' Spitz Flute 8' Salicional 8' Viole Celeste 8' Aeoline 4' Violina 4' Flute Harmonic 2' Flautino Cornet III 16' Contra Fagotto Choir 16' Gross Gedeckt 8' Geigen Principal 8' Violoncello 8' Quintadena 8' Melodia 8' Dolce 4' Flauto Traverso 4' Fugara 2' Harmonic Piccolo 8' Clarinet 8' Orchestral Oboe Solo 16' Violone 8' Stentorphone 8' Viole da Gamba 8' Melophone 4' Orchestral Flute 8' Waldhorn 8' Trumpet 8' Tuba Mirabilis 8' Saxophone 4' Clarion Pedal 32' Double Open Diapason 16' Open Diapason 16' Bourdon 16' Lieblich Gedeckt 16' Violone 10 2/3' Quinte 8' Violoncello 8' Flute 16' Trombone 8' Trumpet Pedal Couplers: Solo to Pedal Swell to Pedal Great to Pedal Choir to Pedal Pedal to Solo Fedal Fifths Pedal Octaves Solo Couplers: Solo to Great So. to Gr. Super Octave Solo Octaves Swell Couplers: Sw. to Gt. Sub Octave Swell to Great Swell to Great Super Octave Swell Octaves Swell to Solo Swell to Choir Choir couplers Ch. to Gt. Sub Octave Choir Sub Octave Choir to Great Accessories: Tremolos to Swell, Choir, and Solo Reversible Gt. to Ped. Crescendo, Full Organ Wind and Crescendo indicator dials Adjustable Combinations: 3 Great 3 Choir 3 Swell 2 Solo [Received via e-mail from Paul Slaughter, September 24, 2008]
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