1996-10-09 - Pipe Facade (Photograph by James R. Stettner/Database Manager)
1996-10-09 - Pipework (Photograph by James R. Stettner/Database Manager)
2011-07-16 - Identified through online information from James R. Stettner. -- This organ was built for Sherman Clay & Co. of San Francisco. The five ranks are: First Open Diapason, Second Open Diapason, Stopped Diapason, Salicional, and Dulciana. The organ is housed behind an oak case front with 5-sectional facade of 61 gold-painted pipes arranged: 12-9-19-9-12. These five sections are distinguished from one another by the heights and diameters of the pipes. This includes the first 17 pipes of the Great 8' First Open Diapason which is the only non-expressive rank, other than the bottom 12 pipes of the 16' Bourdon extension. The rest of the instrument is housed in a large swellbox under expression. In the 1980's, Harold B. Curryer of Spokane, Washington installed a Peterson solid state relay and combination action on the organ. This includes a preparation fora future real 8' Oboe as opposed to the present synthetic/derived Oboe. The original stop controls were stopkeys over the top manual, but this was changed to rocker tablets in the S-S conversion. Documented October 9, 1996. -Database Manager
Source: Stoplist copied from the console October 9, 1996
Glendive, Montana
Glendive Methodist Episcopal Church
Wicks Organ Co., Opus 711, 1924
built for Sherman Clay & Co., San Francisco Cal.
Harold B. Curryer, 1980's - Solid State Relay & Comb. Action
GREAT (Expressive) SWELL (Expressive) PEDAL (Expressive)
16 Double Open Diapason 16 Bourdon 16 Bourdon
8 First Open Diapason 8 Open Diapason 8 Principal
8 Second Open Diapason 8 Stop Diapason 8 Diapason
8 Viola d'Gamba 8 Salicional 8 Gedeckt
8 Clarabella 8 Vox Celeste 8 Cello
8 Dulciana 8 Aeoline 4 Choral Bass
4 Octave 4 Flute 8 Oboe
2 Fifteenth 4 Fugara
Chimes 2-2/3 Nazard
Great to Great 4 2 Piccolo
8 Oboe
Tremulant
Swell to Swell 4
STOP / RANK / PIPE ANALYSIS
16 Double Open Diapason (Gt) -- From the 8' Second Open Diapason.
Tenor C.
16 Bourdon (Ped) 12 Extension of the 8' Stop Diapason.
Unexpressive.
16 Bourdon (Sw) -- From the 8' Stop Diapason. Tenor C.
8 First Open Diapason (Gt) 61 Unexpressive. 1-17 en façade.
8 Principal (Ped) -- Same as the 8' First Open Diapason.
8 Second Open Diapason (Gt) 61
8 Open Diapason (Sw) -- Same as the 8' Second Open Diapason.
8 Diapason (Ped) -- Same as the 8' Second Open Diapason.
8 Stop Diapason (Sw) 61
8 Clarabella (Gt) -- Same as the 8' Stop Diapason.
8 Gedeckt (Ped) -- Same as the 8' Stop Diapason.
8 Salicional (Sw) 61
8 Viola d'Gamba (Gt) -- Same as the 8' Salicional.
8 Cello (Ped) -- Same as the 8' Salilional.
8 Vox Celeste (Sw) -- Prepared for.
8 Dulciana (Gt) 61
8 Aeoline (Sw) -- Same as the 8' Dulciana.
4 Octave (Gt) 12 Extension of the 8' Second Open Diapason.
4 Choral Bass (Ped) -- Same as the 4' Octave.
4 Flute (Sw) 12 Extension of the 8' Stop Diapason.
4 Fugara (Sw) 12 Extension of the 8' Salicional.
2-2/3 Nazard (Sw) -- From the Stop Diapason unit.
2 Fifteenth (Gt) -- Extension of the 8' Second Open Diapason.
2 Piccolo (Sw) 12 Extension of the 8' Stop Diapason.
8 Oboe (Sw) -- Synthetic. Derived from the 8' Sali-
cional and 2-2/3 Nazard.
8 Oboe (Ped) -- Prepared for.
Tremulant (Sw) -- Affects the entire instrument.
Chimes (Gt) (25) Deagan. Compass: Tenor G thru g 44.
PIPE SUMMARY
First Open Diapason.................61
Second Open Diapason................85
Bourdon/Stop Diapason...............97
Salicional..........................73
Dulciana............................61
FINGER PISTONS
General 1 - 5
Swell 1 - 5
Great 1 - 5
GC
TOE STUDS
None
PEDAL MOVEMENTS
Expression (bal.)
Crescendo (bal.)
ACTION: Direct-Electric ™ unit
VOICES: 5
STOPS: 26; inc. chimes
RANKS: 5
PIPES: 377
[Received on line from James R. Stettner June 14, 2009.]Regrettably, it is not possible to display the information about the sponsor of this pipeorgandatabase entry or if there is a sponsor. Please see About Sponsors on Pipe Organ Database.