Better Pipe Organ Database


Edward Hodges (1839)

Trinity Episcopal Church
Broadway at Wall Street
New York City: Manhattan, NY

Note: Not extant. Not playable. (in this location)


Consoles

Main


Notes

2012-09-15 - Identified through online information from T. Daniel Hancock. -- Proposed stoplist by organist Edward Hodges (1839) for an organ which was subsequently built in modified form by Henry Erben. -Database Manager

2012-09-26 - Updated through online information from T. Daniel Hancock. -Database Manager


Stoplist

Typed stoplist (Source: Ogasapian, 1977) Source: Source not recorded Date not recorded

Trinity Church (Episcopal)
New York City, New York
Edward Hodges proposal, 1839 (never built, although the 1856 Erben is responsive to this.)
OHS ID: 50333
__________________________________________________________________________________________   
GREAT (CC-e3, 65 notes)     SWELL (C-e4, 65 notes)         CHOIR (C-e3, 53 notes)
Open Diapason (large scale) Stopped Double Diapason (16')  Open Diapason "chamber scale"
Open Diapason (small scale) Open Diapason                  Dulciana
Stopped Diapason            Stopped Diapason               Stopped Diapason
Principal (large scale)     Viole de Gamba                 Principal
Principal (small scale)     Clarabella                     Flute
Twelfth                     Principal                      Twelfth (Dulciana)
Fifeenth (large scale       Night Horn                     Fifteenth
Tierce                      Twelfth                        Bassoon
Larigot                     Fifteenth
Twenty-Second               Hautboy                        PEDAL (CC-c, 25 notes)
Twenty-Second, soft         Trumpet                     32 Subbass or Double Open Diapason
Mixture III*                Vox Humana                  16 Open Diapason wood, large scale
Great Trumpet               Cremona                     16 Dulciana, wood
Soft Trumpet to C           Clarionet (4')               8 Principal
Clarion                                                    Sesquialtera V: 12-15-17-19-22+
                            COUPLERS                    16 Bassoon - "Large spare slide for
SOLO                        Choir to Great                 a free reed, without pipes."
Open Diapason (dia. 6")     Swell to Great            
Stopped Diapason            Solo to Great                  *"Mem. All the harmonic stops
   (largest scale)          Swell to Great octave           [mixtures and possibly muta-
Large Flute                 Swell to Choir                  tions] to break into octaves
Piccolo                     Swell to Choir octave           and unisons as they approach
Mounted Cornet V            Great to Pedal sub-octave       the top of the scale."
Tromba "stiff reed,         Great to Pedal
    large Trumpet"          Great to Pedal octave
Three spare sliders         Choir to Pedal
                            Swell to Pedal
                            Solo to Pedal octave
__________________________________________________________________________________________   
[Received online from T. Daniel Hancock, 2012-09-17]

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