Better Pipe Organ Database


William F. Laws (1940)

St. Nicholas of Tolentine Roman Catholic Church
1409 Pacific Avenue
Atlantic City, NJ

Images


Unknown - Nave, Chancel, and Altar (Vintage Postcard, courtesy of T. Bradford Willis, DDS (1953)/Database Manager)

Consoles

Main


Notes

2012-10-18 - Identified through online information from Eric Dolch. -- This 1940's Laws instrument combined the original 1916 Moller Opus 2138 of St. Nicholas with Austin Opus 627 from Virginia Ave. in Atlantic City. The organs were combined and put on Austin universal chests, a four manual Austin console replaced the Moller console, the solo was enclosed with swell shades in the chamber ceiling, and an echo division was added in the dome over the high altar. This instrument played completely unaltered until Peragallo was contracted for a rebuild in 2006.<br><br>The stoplist comes from a 1982 document by the Organ Curator describing the mechanical state of the instrument. -Database Manager


Stoplist

Stoplist taken from 1982 Curator's Document. Source: Source not recorded Date not recorded

St. Nicholas of Tolentine Moller/Austin Organ Stoplist
1940’s – Laws Organ Company 
Combination of Moller Opus 2138 and Austin Opus 627
Stoplist taken from June 18, 1982 Document
47 Rank, Four Manual Austin Console (105 Tabs)
* = Offset Chest
Great Organ – 11 Ranks, Unenclosed, Main Station: 8 Ranks (73 Notes), 3 Offset Chests (85 notes)
1.	16’ Open Diapason (unit)*
2.	16’ Gamba (unit)*
3.	8’ 1st Open Diapason
4.	8’ 2nd Open Diapason (from #1)
5.	8’ Dopple Flute
6.	8’ Flute Celeste
7.	8’ Gamba (from #2)
8.	8’ Gemshorn
9.	4’ Octave
10.	 4’ Concert Flute
11.	 4’ Violin Principal
12.	 4’ Gambette (from #2)
13.	 2’ Flofeolet
14.	 16’ Tuba (unit)*
15.	 8’ Tuba (from #14)
16.	 4’ Tuba (from #14)
Swell Organ – 16 Ranks, Enclosed, Main Station: 15 Ranks (73 Notes), 1 Offset Chest (44 Notes)
17.	 16’ Bourdon*
18.	 8’ Diapason
19.	 8’ Stopped Diapason
20.	 8’ Viole d’Orchestra
21.	 8’ Voix Celeste
22.	 8’ Aeoline
23.	 4’ Flauto Traverso
24.	 2’ Piccolo
25.	 III Dolce Cornet
26.	 8’ Cornopean
27.	 8’ Orchestral Oboe
28.	 8’ Voix Humana
29.	 Tremolo
Choir Organ – 8 Ranks (73 Notes), Enclosed
30.	 8’ Diapason
31.	 8’ Viola de Gamba
32.	 8’ Spitzflute
33.	 8’ Dulciana
34.	 4’ Waldflute
35.	 4’ Violin
36.	 2’ Piccolo
37.	 8’ Clarinet
38.	 Tremolo
39.	 Harp Marimba (prec.)
Solo Organ – 5 Ranks (73 Notes), Enclosed
40.	 8’ Stentorphone
41.	 8’ Tibia Clausa
42.	 8’ Philomela
43.	 8’ Flute Harmonique
44.	 8’ French Horn
45.	 Tremolo
Echo Organ – 4 Ranks (61 Notes), Enclosed (In dome over High Altar of Chancel)
46.	 8’ Echo Flute
47.	 8’ Unda Maria
48.	 8’ Aeoline
49.	 8’ Voix Humana
50.	 Tremolo
51.	 Chimes (same as gallery [located in Swell Organ])
Pedal Organ – 3 Ranks, Unenclosed
52.	 32’ Resultant (from #1)
53.	 16’ Open Diapason (unit)
54.	 16’ Violin (unit)
55.	 16’ Bourdon (unit)
56.	 16’ Contra Gamba (from #2)
57.	 16’ Lieblich Gedeckt (from #17)
58.	 8’ Major Flute (from #53)
59.	 8’ Open Diapason (from #1)
60.	 8’ Flute (from #55)
61.	 8’ Viola de Gamba (from #2)
62.	 8’ Still Gedeckt (from #17)
63.	 5-1/3’ Quint (from #4)
64.	 4’ Octave (from #4)
65.	 4’ Flute (from #55)
66.	 16’ Tuba (from #14)
67.	 8’ Tuba (from #14)
68.	 4’ Tuba (from #14)
69.	 Chimes (from Swell Organ)
Couplers
70.	 Great to Great 16’ (Affect only Great Main Station, Not Units)
71.	 Great to Great 4’ (Affect only Great Main Station, Not Units)
72.	 Swell to Great 16’
73.	 Swell to Great 8’ 
74.	 Swell to Great 4’
75.	 Choir to Great 16’ 
76.	 Choir to Great 8’
77.	 Choir to Great 4’
78.	 Solo to Great 16’
79.	 Solo to Great 8’ 
80.	 Solo to Great 4’
81.	 Swell to Swell 16’
82.	 Swell to Swell 4’
83.	 Choir to Swell 8’
84.	 Choir to Choir 16’
85.	 Choir to Choir 4’
86.	 Swell to Choir 16’
87.	 Swell to Choir 8’
88.	 Swell to Choir 4’
89.	 Solo to Solo 16’
90.	 Solo to Solo 4’
91.	 Swell to Solo 16’
92.	 Swell to Solo 8’ 
93.	 Swell to Solo 4’
94.	 Echo to Echo 16’
95.	 Echo to Echo 4’
96.	 Swell to Pedal 8’
97.	 Swell to Pedal 4’
98.	 Great to Pedal 8’
99.	 Great to Pedal 4’
100.	Choir to Pedal 8’
101.	Choir to Pedal 4’
102.	Solo to Pedal 8’ 
103.	Solo to Pedal 4’
104.	Echo to Pedal 8’
105.	Echo to Pedal 4’
106.	Great Unison Off (Located on Great manual Cheek)
107.	Great Chime (Located on Great manual Cheek)
108.	Swell Unison Off (Located on Swell manual Cheek)
109.	Swell Chime (Located on Swell manual Cheek)
110.	Choir Unison Off (Located on Choir manual Cheek)
111.	Choir Chime (Located on Choir manual Cheek)
112.	Solo Unison Off (Located on Solo manual Cheek)
113.	Solo Chime (Located on Solo manual Cheek)
Adjustable Combination Actions
-Capture Action (Electric)
Piston No. 1-2-3-4-5-6-C (Affecting Great)
Piston No. 1-2-3-4-5-6-C (Affecting Swell)
Piston No. 1-2-3-4-5-6-C (Affecting Choir)
Piston No. 1-2-3-4-5-6-C (Affecting Solo)
Piston No. 1-2-3-C (Affecting Echo)
Piston No. 1-2-3-4-5-6-7-8 (Affecting Full Organ)
Piston No. 9-10-11-12 (Affecting Full Organ, toe pistons only)
Piston No. 1-2-3-4 (Affecting Pedal, toe pistons only)
General Cancel (to piston only)
-Pedal Movements
Great to Pedal Reversible – Toe Piston Only
Swell to Pedal Reversible – Toe Piston Only
Choir to Pedal Reversible – Toe Piston Only
Solo to Pedal Reversible – Toe Piston Only
SFZ – Toe Piston Only
Expression Pedal – Solo Organ – Echo Organ
Expression Pedal – Swell Organ – Master
Expression Pedal – Choir Organ – Echo Organ
Crescendo Pedal

 [Received from Eric Dolch 2012-10-19.]

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