Better Pipe Organ Database


Morel Organ Co. (1992)

St. Catherine of Siena
Norwood, MA

Consoles

Main


Notes

2016-03-17 - This entry describes an original installation of a new pipe organ. Identified by Scot Huntington, based on personal knowledge of the organ.<br><br>The organ is installed in the rear gallery of the early 20th-century church, on either side of a large window. There are identical consoles in the rear gallery (fixed) and at the front of the church (moveable). When the organ was delivered, it was discovered the gallery railing would not support the weight of the Ruckpositive, and it was installed to the right of the console on the floor of the gallery proper.<br><br> The organ and casework were to be separate contracts: the construction of the organ proper was sub-contracted to Organ Supply Co. of Erie, Pennsylvania, and the casework was to be built by Morel. The organ was paid for by a bequest from a parishioner, but after the organ works were installed, the balance of the organ funding was embezzled by a church administrator so the organ was installed completely unadorned and exposed.<br><br>The Positive and Pedal upperwork were intended to be functionally exposed, but the works of the Great and Swell were not intended to be visible and were to be hidden behind a facade of woodwork and dummy facade pipes. With no funding to provide a case or even to finish the construction of the Swell box, the organ languished in this condition for over 10 years. Roughly a decade later, members of the church crafted a decorative veneered plywood skirt that at least covered the organ's internal mechanics. <br><br>The Pedal upperwork is installed at floor level in front of the rear window. The Swell "box" only consisted of a roof and two sets of shutters- one set facing toward the choir (vertical) and the other facing the nave (horizontal). The components of Swell enclosure were two thin, and many open areas were left unsealed, therefore it was dynamically ineffectual. The original accordion-pneumatic Swell engine was never satisfactory, and was replaced with a solid-state motor ca. 2009.<br><br>In 2015, as part of the church's year-long 100th anniversary renewal, a multi-phase rebuilding of the instrument was begun. Under the first and most comprehensive phase, the organ was tonally rebuilt, being respecified and revoiced by S.L. Huntington & Co. of Stonington, Connecticut. -Database Manager


Stoplist

Factory pipeshop specifications Source: Source not recorded Date not recorded

Norwood, Massachusetts
St. Catherine of Siena, R.C.

Morel Organ Co., 1992

All stops spotted metal and 61 notes, unless so noted.
Electro-pneumatic pitman and offset chests.
In-built schwimmer regulators manuals, 
   single-rise regulators pedal and static
White blower.
The factory specification sheet specified 3" pressure
  for Great and Positive, 4" for the Swell and Pedal, 5" static. The pressures
  as found at the time of the rebuilding in 2015, were all
  slightly higher than stipulated, and regulators were
  all mis-adjusted and malfunctioning.
A440, equal-temperament; pipes fitted with tuning slides and
  trimmed dead-length.
Spellings are correct, as found on stopknobs.
All mouths are (intentionally?) slightly wider than 1/4, unless noted.
Two identical consoles: gallery and front
Compasses: 61/32
Organ rebuilt in 2015. 

GREAT  82 mm

16' Principal        scale 36, 1-12 zinc, ext. of 8' Principal
16' Gemshorn         sc. 38, 1-12 zinc, ext. of 8' Gemshorn 
8'  Principal        sc. 48, 1-17 zinc, unit actions
8'  Harmonic Flute   sc. 50, 1-17 zinc, harmonic at c37
8'  Gemshorn         sc. 50, 1:3 taper, 1-17 zinc, unit actions
4'  Octave           sc. 60, 1-5 zinc
4'  Nachthorn        sc. 56, 1-5 zinc, 2/9 mouth
2 2/3' Nazard        sc. 66, tapered, 2/9 mouth
2'  Super Octave     sc. 74
2'  Piccolo          sc. 70  2/9 mouth
1 3/5' Tierce        sc. 74  2/9 mouth
IV  Fourniture       sc. 50@8', 1 1/3', repeating on c's
8'  Trompette        sc. 3 1/2", 1-24 zinc, top octave flue trebles
                             parallel, flat bottom, "Franco-American" shallots
    Great to Great  16', 4', Unison Off


SWELL  103 mm

16' Bourdon          sc. #2, poplar, on independent unit chest
                               English blocks and caps, 110 mm wind pressure
8'  Rohr Flote       sc. 48, 1-12 zinc, long chimneys from tenor-c
8'  Viole de Gamba   sc. 54, 1-17 zinc, roller beards
8'  Viole Celeste    sc. 54, 12-17 zinc, roller beards, from tenor-c, 
                             2/9 mouth, tuned sharp
4'  Principal        sc. 60, 1-5 zinc
4'  Wald Flote       poplar, inverted mouth Melodia construction
2'  Block Flote      sc. 66, 1:2 taper, 1/5 mouth
II  Sesquialtera     sc. 48@8' 2 2/3' + 1 3/5' throughout
IV  Plein Jeu        sc. 50@8', 2' repeating on c's
16' Basson           ext. Hautbois, 1-12 zinc, 1/2-length, weighted tongues
                                    on main chest, unit actions
8'  Hautbois         sc. 3 1/2", 1-24 zinc, English shallots, top octave 
                                 flue trebles, unit actions
4'  Rohr Schalmei    sc. 1 1/4", double-cylindrical resonators, 
                                 "Franco-American" shallots, top two octaves flues
    Tremulant
    Swell to Swell 16', 4', Unison Off


RUCKPOSITIVE  80 mm
8'  Holz Gedeckt     sc. #4, poplar, top octave open metal, English blocks and caps
4'  Kopple Flote     sc. 56, 1-5 zinc, cylindrical with conical cap
2'  Principal        sc. 76
1 1/3' Quint         sc. 77, 2/9 mouth
III Mixture          sc. 52@8', 1' repeating on c's
8'  Krum Horn        sc. 1 1/4", 1/2-length cylindical, "Franco-American" shallots,
                                 top octave open metal flues
    Tremulant
    Zimbelstern      6 bells, later addition
    Ruckpositive to Ruckpositive 16', 4', Unison Off

PEDAL   112 mm

32' Resultant        from Bourdon, 1-12 16' + 10 2/3'; then 32'
16' Principal        from Great, 1-12 on pedal reservoir
16' Bourdon          from Swell
16' Gemshorn         from Great, 1-12 on pedal reservoir
8'  Octave           sc. 44, 1-17 zinc, unit actions
8'  Flute            from Swell, extension
4'  Choral Bass      extension of Octave 8'
III Rauschquint      sc. 48@8', 2', 1 1/'3', 1' throughout
16' Posaune          sc. 6", 1-32 zinc, "Franco-American" shallots
16' Basson           from Swell
8'  Trumpet          extension 16' Posaune, 32-note unit chest
4'  Rohr Schalmei    from Swell


COUPLERS (on backrail)

16', 8', 4' Swell to Great 
16', 8', 4' Ruckpositive to Great
16', 8', 4' Swell to Ruckpositive
     8', 4' Great to Pedal
     8', 4' Swell to Pedal
     8', 4' Ruckpositive to Pedal

MECHANICALS

Balanced Swell Pedal
Crescendo Pedal
Sforzando (toe & piston)
Gr. to Ped. reversible (toe & piston)


Solid-State combination action (6 levels):

SET (piston)
0   (General Cancel)
1-6 Great
1-6 Swell
1-6 Ruckpositive
1-6 Pedal (toe)
1-8 General (piston & toe)


 
   



       


 [Received from Scot Huntington 2016-04-02.]

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