Better Pipe Organ Database


S. L. Huntington & Co. (2015)

St. Catherine of Siena
Norwood, MA

Images


2020 - Positif division pipes (Photograph by Jerry Mead/Jerry Mead)

2020 - Pedal and Great Pipes (Photograph by Jerry Mead/Jerry Mead )

2020 - Console (Photograph by Jerry Mead/Jerry Mead)

2020 - Organ in rear gallery (Photograph by Jerry Mead/Jerry Mead )

2020 - Church Interior (Photograph by Jerry Mead/Jerry Mead)

Consoles

Main


Notes

2016-03-17 - This entry describes alterations to an existing organ. Identified by Scot Huntington, based on personal knowledge of the organ.<br><br>As part of the church's 100th-anniversary program of renewal, a multi-phase program of rebuilding the organ was begun in 2015. Plans to eventually complete the encasement of the organ were permanently shelved, and instead it was decided to leave the organ visually as is, i.e. with non-artistically exposed pipework, but to instead direct funding towards upgrading the organ's musical resources. The first phase was the most comprehensive- the respecifying and revoicing of the entire instrument, to adapt it to the church's acoustics. This work was begun in the Summer of 2014, and progressing one division at a time was completed in the Spring of 2015. New pipework was incorporated within the Great to rescale the Principals 8' and 4', replace the treble portion of the Harmonic Flute, and to recompose the Mixture. The Swell enclosure was substantially rebuilt and reinforced- the nave facing shades were encapsulated and the gallery-facing shades were replaced with a set of thick horizontal shades opening upwards toward the vaulting. The wind pressures were lowered throughout, the wood flutes were rebuilt, the pipework was substantially revoiced, and the Swell and Great mutations were recomposed. Phase II will replace the Great and Pedal reeds circa 2016-17. Phase III will relocate the Pedal upperwork chest from its location in the front of the rear window to a position on the nave-facing side wall of the 2014 Swell enclosure. Phase IV will upgrade the wind systems of the Great, Swell and Pedal, including the installation of new Tremulants. -Database Manager


Stoplist

Original document from Scot Huntington. Source: Myself 2017-03-08

Norwood, MA
St. Catherine of Siena

Organ by S. L. Huntington & Co.

Compass: 61/32
Pitch: A440
Temperament: Fisk I
Pressure reductions: Great     82mm to 67mm (3 1/4- 2 5/8)
                     Swell    103mm to 70mm (4 1/8- 3)
                     Positive  78mm to 60mm (3 1/8- 2 1/2)
                     Pedal    110mm to 67mm (4 3/8- 2 5/8)
All pipework substantially revoiced.

GREAT 
16' Principal Descant    from c25; notes 1-24 silenced
16' Gemshornbass
8'  Praestant            rescaled 2 HT larger at f18 and c#26
8'  Flute harmonique     new from c25, Cavaille-Coll "traversiere" scale,
                           harmonic at f30
8'  Gemshorn
4'  Octave               rescaled 1 HT at C1
4'  Hohlflote
3 1/5' Terzian Descant   from c25; old tapered Nazard repitched and rescaled 
2 2/3' Quint             former Swell Sesquialtera quint rank
2'  Super Octave
1 3/5' Tertia            former Swell Sesquialtera tierce rank
II-IV  Mixture Grave     old and new pipes, new composition:
                              C                           1 1/2    1
                              c                      2    1 1/2    1 
                              f                3     2    1 1/2    1
                              f'          4    3     2    1 1/2
                              f#"    6    4    3     2
8'  Trumpet              prepared for
    Tremulant            prepared for
    Octaves Grave
    Unison Release

SWELL
16' Quintaton            former Bourdon; rebuilt and cut-ups lowered from c13
8'  Viol da Gamba        rollers removed from f
8'  Unda Maris           rollers removed
8'  Rohrflote            chimnies shortened
4'  Geigen Principal
4'  Flauto Amabile       pipes rebuilt
2'  Blockflote
II  Recit Cornet         2 2/3: C-E Gr. Nazard; from F former Gr. Piccolo repitched and     
                                rescaled larger to equal Tierce scale
                         1 3/5: former Great Tierce 
III Mixture              C   2     1 1/2    1; breaks by fifths at each c
16' Fagott               extension of Hautbois, C-B half-length
8'  Hautbois             
8'  Barpfeiffe           C-B new 1/2L conical resonators with lids, Schnitger shallots;
                                from c13 former 4' Rohrschalmey rescaled and rebuilt
    Tremulant
    Octaves Grave
    Octaves Super
    Unison Release

POSITIVE
8'  Still Gedackt        rebuilt
4'  Koppelflote
2'  Schwegel
1 1/3 Klein-nasat
III Scharff
8'  Krummhorn
    Tremulant
    Spare
    Octaves Grave
    Unison Release

PEDAL
32' Sw. Untersatz        resultant from Subbass
16' Praestantbass        ext. Gr. Principal 8', original
16' Gr. Gemshornbass
16' Sw. Subbass
8'  Octave
8'  Sw. Gedackt Pommer
4'  Octave               extension Octave 8'
III Rauschpfeiffe        C: 2   1 1/2   1
16' Posaune              prepared for
16' Sw. Fagott
8'  Trumpet              prepared for
8'  Sw. Barpfeiffe

COUPLERS
Swell to Great 16
Swell to Great
Swell to Great 4
Positive to Great 16
Positive to Great
Swell to Positive
Swell to Positive 4
Great to Pedal (+ reversible)
Swell to Pedal (+ reversible)
Positive to Pedal

Crescendo, Tutti, General Cancel, Combination Set piston

 

		

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