Better Pipe Organ Database


Taylor & Boody Organbuilders Opus 18 (1990)

Holy Trinity Lutheran Church: Sanctuary; rear gallery
1000 Langhorne Road
Lynchburg, VA

Images


Unknown - Drawstops (Photograph by Taylor & Boody website, submitted by Jeff Scofield/Jeff Scofield)

Unknown - Console (Photograph by Taylor & Boody website, submitted by Jeff Scofield/Jeff Scofield)

Unknown - Church interior, gallery and organ (Photograph by Taylor & Boody website, submitted by Jeff Scofield/Jeff Scofield)

Unknown - Gallery and organ (Photograph by Taylor & Boody website, submitted by Jeff Scofield/Jeff Scofield)

ca. 2019 - Organ case (Photograph from an archival source: Church website, submitted by Jim Stettner/Jim Stettner)

2018-10-31 - Church exterior (Photograph from an archival source: Church Facebook page, submitted by Jim Stettner/Jim Stettner)

Consoles

Main


Notes

2004-10-30 - Status Note: There 1996 -Database Manager

2004-10-30 - Kellner unequal temperament. -Database Manager

2010-07-05 - Updated through online information from Charles Hoilman. -- Kellner-Bach temperament; metal pipes of hammered lead-tin alloys; case of solid red oak finished with orange shellac. -Database Manager


Stoplist

Source: Typed stoplist from the OHS PC Database. Date not recorded

Lynchburg, Virginia
Holy Trinity Lutheran Church 

Taylor and Boody, Op. 18, 1990 - Original Specifications


        GREAT                                COUPLERS
16' 	Quintadena                           GT / PD
8' 	Principal                            BW / PD
8' 	Rohrflöte
8' 	Baarpjip		             BW/GT (shove)
4'  	Octave *			
2 2/3' 	Quinte 			
2' 	Superoctave 						
1 3/5'  Tertia 		
IV 	Mixture
8' 	Trompet


        BRUSTWERK
8'  	Gedackt
4'  	Blockflöte
2' 	Octave
2' 	Waldflöte 			
1 1/3'  (Quinte) 			
8' 	Krumphorn 			
        Tremulant


        PEDAL
16'  	Subbass
8' 	Octave
8' 	Trompet **

* plays from Pedal when half drawn
** alternates with Gt. Trompet

NOTES
Pedal chest and the Great chest  are one-behind-the-other, with the 4' Octave mounted at the end of each chest's channel. There are two sliders, one for the
Pedal divison and one for the Great division. The sliders are bored so that in
the half-drawn position the slider for the Pedal chest channels is lined up to
supply wind to the toe-board. In the fully-drawn position, the slider for the
Great comes into position to supply the wind to the toe-board and the pedal
slide pulls "past" the open position so that there is not blow-back from the
Pedal chest channels to the Great channels. there is also channelling in the
toeboard itself to accomodate the two different positions required by the double-
draw, and the fact that the channel spacing on the Great chest and the Pedal
chest are different.


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