2004-10-30 - Status Note: There 1996 -Database Manager
2004-10-30 - Kellner unequal temperament. -Database Manager
2010-07-05 - Updated through online information from Charles Hoilman. -- Kellner-Bach temperament; metal pipes of hammered lead-tin alloys; case of solid red oak finished with orange shellac. -Database Manager
Source: Typed stoplist from the OHS PC Database. Date not recorded
Lynchburg, Virginia Holy Trinity Lutheran Church Taylor and Boody, Op. 18, 1990 - Original Specifications GREAT COUPLERS 16' Quintadena GT / PD 8' Principal BW / PD 8' Rohrflöte 8' Baarpjip BW/GT (shove) 4' Octave * 2 2/3' Quinte 2' Superoctave 1 3/5' Tertia IV Mixture 8' Trompet BRUSTWERK 8' Gedackt 4' Blockflöte 2' Octave 2' Waldflöte 1 1/3' (Quinte) 8' Krumphorn Tremulant PEDAL 16' Subbass 8' Octave 8' Trompet ** * plays from Pedal when half drawn ** alternates with Gt. Trompet NOTES Pedal chest and the Great chest are one-behind-the-other, with the 4' Octave mounted at the end of each chest's channel. There are two sliders, one for the Pedal divison and one for the Great division. The sliders are bored so that in the half-drawn position the slider for the Pedal chest channels is lined up to supply wind to the toe-board. In the fully-drawn position, the slider for the Great comes into position to supply the wind to the toe-board and the pedal slide pulls "past" the open position so that there is not blow-back from the Pedal chest channels to the Great channels. there is also channelling in the toeboard itself to accomodate the two different positions required by the double- draw, and the fact that the channel spacing on the Great chest and the Pedal chest are different.
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